SOUL SURMISE

KARL WALLINGER (19.10.57 - 10.3.24) - MY TRIBUTE

I have loved Karl Wallinger since he first appeared alongside Mike Scott in their Waterboys’ musical adventures to find the Big Music. 

When he shimmied to the side and started World Party I was right there and eagerly ready. I loved Karl Wallinger. Oh I didn’t love everything he recorded but I loved enough of it so much as to be a huge fan. 

The first album Private Revolution had my jury still out but then Goodbye Jumbo, Bang, Egyptology and Dumbing Up gave us a run of near perfectly created, played and produced albums of energetic pop/rock that pumps out the spirit of love into a world well in need of it.

Think of that run of songs Ship Of Fools, Way Down Now, Put A Message In a Box, Is It Like Today, Give It All Away, Give It Time and She’s The One. The latter is best known of all as Wallinger collaborator Guy Chambers introduced it to Robbie Williams that he was producing at the time and Robbie made She’s The One a number hit, against Wallinger’s wishes, though he eventually appreciated the money!

On of the big reasons that I was so fond of Wallinger’s World Party was his covers of The Beatles and Bob Dylan. On Private Revolution was All I Really Wanna Do and on the 12” of the Ship Of Fools single was Nowhere Man. 

Later an extra CD single release for Beautiful Dream had Penny Lane, Sweetheart Like You and Mind Games. Wow! On Arkeology a 5 CD release of songs old, new, live, covered or alternative there is a blistering cover of Like A Rolling Stone but it is Cry Baby Cry, Fixing A Hole and my very favourite version of Dear Prudence is what grabs me.

I am heartened by the social media messages around Wallinger’s passing. He hasn’t released an album for 24 years and that wide ranging compilation Arkeology was the very last thing released 12 years ago.

Yet, he was not forgotten but coined to be loved. I hope he knew that and his family takes comfort in it.

A couple of weeks ago I reviewed The Waterrboys’ 1985, a full catalogue of the work that eventually became This Is The Sea. Karl Wallinger fingerprints were all over it. 

Just a soon as Scott and Wallinger caught a glimpse of the whole of the moon they took different directions. Scott to the muse more raw, organic in the raggle tangle sounds of the west of Ireland and Wallinger to the crisp clean sheen sounds of World Party. 

Much as I would have loved to have heard what Wallinger and Scott would have done together in the late 80s and 90s, I am maybe more delighted that I have both Fisherman’s Blues and Egyptology. The rivers roared out into different seas of wonderful music.

Thank you Karl Wallinger.

THE WATERBOYS - THE MAGNIFICENT SEVEN

There was something about The Waterboys 4 year sojourn in Ireland from 1986 to 1990 that was not only unique to that particular band but also in the history of rock music, maybe any kind of music.

The release of The Magnificent Seven box set that covers just a couple of years of this has over 80 unreleased tracks. They don’t include the 17 tracks already on the extra CD of the 2008 re-release of Room To Roam. Add to this the almost 120 extra tracks on the Fisherman’s Blues box set of 2013 and even more on the first re-release of that record in 2006. And… there was the Fisherman’s Blues Sessions record Too Close To Heaven in 2001. Wow!

When Mike Scott suggests in the coffee table sized accompanying book to The Magnificent Seven that this band played everywhere, on stage, back stage, in bars, in hotels, on buses and planes, as well as in the studio he doesn’t seem to have been joking. There was something in the West Of Ireland muse; magic, mystery and musical menace.

My fandom was right bang bang in the middle of this imaginative journey. As a fan of their albums Pagan Place and This Is The Sea I loved it when they added Steve Wickham’s fiddle. On April 6th 1986 I might have actually witnessed this Irish journey hit the accelerator when The Waterboys played the Ulster Hall. The blend of Irish folk and rock. The energy. The fun. The imaginative blend and blur. 

I saw them 5 times in the next three years, the only band that I have bought tickets for 2 nights in a row - Belfast’s Ulster Hall and Derry’s Rialto.

By the time the journey got to the release of Room To Roam I wasn’t quite as convinced. I thought, at the time, that it had veered too trad. The pendulum at swung too far from the 1986 paradise. 

I revisited my critique with the 2 CD Remastered release in 2008 and I have to say that I have revelled in this sprawling box set of live, demos and out takes. It is exhilarating listening. You feel the joy that these musicians were obviously having making it.

We get pure unadulterated trad. Sharon Shannon’s star rises throughout. We are gifted fascinating blend of ‘big music’ and ‘celtic trad’ that has its paradigm fulfilment in A Pagan Place with reels. There is a lovely dovetailing of This Is The Sea and Dylan’s New Morning. A few more Dylan covers and even a Yellow Submarine.

It’s quite the treasure trove. The book adds to the wonder as alongside credits, tour dates and photographs Mike Scott shares the what, why, how and who of the whole glorious adventure. A few years in Waterboys’ time wonderfully captured.